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Samuel Ricke
J.S. Bach: Matthäus-Passion, BWV 244: VIII. Recitative: Aber am ersten Tage der süssen Brod
Samuel Ricke
3:00 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 20 30 8 6 92%
Bass 24 0 8 5 97%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 20 30 8 6 92%
Bass 24 0 8 5 97%
Continuo. Bass 24 0 8 5 97%
Violone Bass 24 0 8 5 97%
Evangelist. 16 0 6 4 79%
Violino
I.		 Treble 15 0 5 6 69%
Treble 18 0 5 5 67%
Viola. 18 0 5 6 69%
Basso. Bass 17 0 5 4 63%
Alto. 13 0 4 3 42%
Bassoon Bass 21 0 6 4 42%
Soprano. 13 0 5 2 39%
Flauto
traverso
II.		 Treble 12 0 2 3 29%
Oboe
II.		 Treble 13 0 2 3 29%
Flauto
traverso
I.		 Treble 12 0 1 3 26%
Oboe
I.		 Treble 12 0 1 3 26%
 
J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise
Samuel Ricke
10:40 Est. Play
Time
125 Measures
1,414Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo. Treble 19 18 5 6 80%
Bass 19 0 3 5 49%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo. Treble 19 18 5 6 80%
Bass 19 0 3 5 49%
Oboe
I.		 Treble 19 0 4 9 72%
Viola. 18 0 4 7 49%
Violino
I.		 Treble 21 0 3 9 49%
Violino
II.		 Treble 19 0 4 8 49%
Violoncello. Bass 19 0 3 5 49%
Violone. Bass 19 0 3 5 49%
Corno
I.		 Treble 10 0 1 8 48%
Corno
II.		 Treble 8 0 0 8 46%
Fagotto. Bass 21 0 5 5 45%
Oboe
II.		 Treble 12 0 2 7 45%
Oboe
III.		 Treble 9 0 1 7 21%
Violino
piccolo.		 Treble 13 0 2 9 21%
 
Handel: Messiah, HWV 56: Part II. "Hallelujah Chorus"
Samuel Ricke
3:28 Est. Play
Time
94 Measures
2,567Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 24 41 3 8 95%
Bass 20 8 2 8 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 24 41 3 8 95%
Bass 20 8 2 8 100%
Bassoon Bass 20 0 2 8 100%
Violoncellos Bass 21 0 2 8 100%
Violas 16 0 2 8 99%
Violins Treble 20 0 1 8 98%
Treble 21 0 3 8 96%
Contrabasses Bass 17 0 2 8 98%
Tenor Treble 13 0 1 8 96%
Bass Bass 14 0 2 8 95%
Contralto Treble 13 0 2 8 91%
Oboe Treble 12 0 0 8 88%
Soprano Treble 12 0 0 8 88%
D
Trumpet		 Treble 11 1 1 8 73%
Timpani Bass 2 0 0 8 50%
 
Mozart: Symphony No. 40 in G Minor, K. 550: I. "Molto Allegro"
Samuel Ricke
8:24 Est. Play
Time
299 Measures
4,393Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 34 11 15 8 97%
Violino
II.		 Treble 31 24 15 7 96%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I.		 Treble 34 11 15 8 97%
Violino
II.		 Treble 31 24 15 7 96%
Violoncello. Bass 29 0 13 6 90%
Viola. 28 44 11 6 90%
Contrabasso. Bass 29 0 13 6 89%
Fagotti. Bass 27 40 12 7 84%
Oboi. Treble 27 52 12 8 62%
Treble 27 60 12 8 77%
Clarinetti
in
B.		 Treble 23 47 7 7 72%
Flauto. Treble 21 0 7 8 69%
Corno
in
B.		 Treble 6 0 0 6 44%
Corno
in
G.		 Treble 7 0 2 6 37%
 
J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester
Samuel Ricke
3:46 Est. Play
Time
49 Measures
1,650Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 14 14 2 5 20%
Treble 21 52 9 8 96%
View all 32 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 14 14 2 5 20%
Treble 21 52 9 8 96%
Bass 14 0 0 3 12%
Bass 26 0 11 7 94%
Violone. Bass 14 0 0 3 12%
Bass 26 0 11 7 94%
Continuo. Bass 26 0 11 7 94%
Tenore. 19 0 7 6 71%
10 0 1 3 12%
Viola. 20 0 6 7 63%
7 0 0 3 12%
Violino
I.		 Treble 20 0 6 6 63%
Treble 13 0 0 3 12%
Violino
II.		 Treble 10 0 2 3 12%
Treble 18 0 5 6 63%
Basso. Bass 12 0 0 3 12%
Bass 19 0 6 5 61%
Alto. 12 0 4 4 35%
7 0 0 3 12%
Fagotto. Bass 14 0 0 4 12%
Bass 24 0 8 5 35%
Oboe
I.		 Treble 8 0 1 3 12%
Treble 14 0 4 5 35%
Oboe
II.		 Treble 16 0 4 4 35%
Treble 12 0 2 3 12%
Soprano. 7 0 1 3 12%
14 0 4 5 35%
Flauto
traverso
I.		 Treble 19 0 7 4 33%
Treble 14 0 0 3 12%
Flauto
traverso
II.		 Treble 19 0 7 4 33%
Treble 14 0 0 3 12%
Organo
e
Continuo.		 Bass 14 0 0 3 12%
 
Bach: Ich hatte viel Bekümmernis, BWV 21 - XI. Das Lamm, das erwürget ist
Samuel Ricke
3:27 Est. Play
Time
68 Measures
2,312Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 20 31 5 7 96%
Bass 23 0 7 8 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 20 31 5 7 96%
Bass 23 0 7 8 100%
Organo
e
Continuo.		 Bass 23 0 7 7 100%
Violone. Bass 23 0 7 8 100%
Basso. Bass 19 0 6 5 97%
Tenore. 17 0 4 6 96%
Alto. 15 0 3 6 88%
Soprano. 17 0 4 6 85%
Violino
I.		 Treble 20 0 4 7 78%
Oboe. Treble 17 0 3 7 76%
Viola. 22 0 5 7 76%
Violino
II.		 Treble 21 0 5 7 76%
Fagotto. Bass 19 0 4 7 75%
Tromba
I.		 Treble 12 0 2 6 60%
Tromba
II.		 Treble 10 0 1 6 60%
Tromba
III.		 Treble 8 0 0 5 54%
Timpani. Bass 2 0 0 5 50%
 
J.S. Bach: Matthäus-Passion, BWV 244: III. Chorale - Herzliebster Jesu
Samuel Ricke
1:00 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 15 0 3 6 100%
Bass 16 0 4 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 15 0 3 6 100%
Bass 16 0 4 6 100%
Alto. 10 0 1 5 100%
Basso. Bass 15 0 4 4 100%
Fagotti. Bass 15 0 4 4 100%
Flauti
traversi.		 Treble 11 0 2 4 100%
Oboi. Treble 11 0 2 4 100%
Organo
e
Continuo.		 Bass 15 0 4 4 100%
Soprano. 11 0 2 4 100%
Tenore. 10 0 2 5 100%
Viola 10 0 2 6 100%
Violino
I.		 Treble 11 0 2 4 100%
Violino
II.		 Treble 10 0 1 5 100%
Violone. Bass 15 0 4 4 100%
 
J.S. Bach: Matthäus-Passion, BWV 244: II. Recitative - Da Jesus diese Rede vollendet hatte (Share)
Samuel Ricke
1:08 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 12 11 3 5 90%
Bass 6 0 2 3 88%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 12 11 3 5 90%
Bass 6 0 2 3 88%
Continuo. Bass 6 0 2 3 88%
Violone. Bass 6 0 2 3 88%
Jesus. Bass 14 0 4 3 75%
Viola. 6 0 1 3 75%
Violino
I.		 Treble 7 0 2 3 75%
Violino
II.		 Treble 7 0 1 4 75%
Evangelist. 8 0 0 2 38%
 
Mozart: Symphony No. 40 in G Minor, K. 550: II. "Andante"
Samuel Ricke
12:38 Est. Play
Time
125 Measures
2,312Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola. 26 0 10 6 98%
Violino
II.		 Treble 29 4 11 8 97%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola. 26 0 10 6 98%
Violino
II.		 Treble 29 4 11 8 97%
Violino
I.		 Treble 34 1 15 8 96%
Contrabasso. Bass 25 0 10 5 90%
Violoncello. Bass 26 0 10 5 90%
Fagotti. Bass 25 25 9 7 57%
Clarinetti
in
B.		 Treble 26 29 9 7 53%
Oboi. Treble 23 26 10 5 35%
Treble 23 34 11 7 52%
Corni
in
Es.		 Treble 11 10 2 5 48%
Flauto. Treble 19 0 9 7 47%
 
J.S. Bach: Mass in B Minor, BWV 232: IV. Dona Nobis Pacem
Samuel Ricke
5:55 Est. Play
Time
46 Measures
1,513Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 17 1 4 5 97%
Bass 25 0 7 5 100%
View all 20 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 17 1 4 5 97%
Bass 25 0 7 5 100%
Continuo. Bass 24 1 7 5 100%
Fagotti. Bass 24 1 7 5 100%
Tenore. 15 0 3 5 100%
Viola. 15 0 3 5 100%
Alto. 12 0 2 4 98%
Flauto
traverso
II. Oboe

II.		 Treble 11 0 2 5 98%
Oboe
II.		 Treble 11 0 2 5 98%
Violino
II.		 Treble 12 0 2 5 98%
Flauto
traverso
I. Oboe
I.		 Treble 14 0 3 4 93%
Oboe
I.		 Treble 14 0 3 4 93%
Soprano. 14 0 3 4 93%
Violino
I.		 Treble 14 0 3 4 93%
Violone. Bass 22 0 7 5 93%
Basso. Bass 19 0 6 4 91%
Tromba
I.		 Treble 9 0 1 5 43%
Tromba
II.		 Treble 9 0 1 5 30%
Timpani. Bass 2 0 0 5 22%
Tromba
III.		 Treble 11 0 1 6 22%
 
*GOOD SOUNTFONT* Beethoven: Symphony No. 9 in D Minor, Op. 125 I. Allegro ma non troppo, un poco maestoso
Samuel Ricke
31:30 Est. Play
Time
547 Measures
12,688Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello. Bass 34 9 19 10 92%
Violino
II.		 Treble 34 52 17 10 91%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello. Bass 34 9 19 10 92%
Violino
II.		 Treble 34 52 17 10 91%
Violino
I.		 Treble 37 22 20 10 88%
Viola. 30 48 16 10 88%
Oboi. Treble 27 64 12 10 84%
Fagotti. Bass 35 57 17 10 84%
Basso Bass 32 0 16 10 83%
Clarinetti
in
B.		 Treble 36 85 17 10 82%
Corni
in
D.		 Treble 14 22 4 9 80%
Flauti. Treble 31 41 12 10 80%
Corni
in
B
basso.		 Treble 16 17 3 10 65%
Trombe
in
D.		 Treble 12 6 2 9 59%
Timpani
in
D.A.		 Bass 2 0 0 8 58%
 
Michael Haydn: II. Dies Irae - Requiem in C Moll (pro defuncto Archiepiscopo Sigismundo), MH 155
Samuel Ricke
11:37 Est. Play
Time
291 Measures
6,237Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassi ed
Organo.		 Bass 33 0 12 7 100%
Contrabasses Bass 27 0 9 7 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassi ed
Organo.		 Bass 33 0 12 7 100%
Contrabasses Bass 27 0 9 7 100%
Fagotti. Bass 27 0 9 7 100%
Violino
II.		 Treble 29 0 11 9 100%
Violino
I.		 Treble 30 2 13 10 99%
Organo. Treble 23 153 9 6 98%
Bass 27 0 9 7 98%
Soprano. 18 0 7 8 69%
Alto. 16 0 6 8 69%
Tenore. 18 0 7 8 68%
Basso. Bass 21 0 9 7 64%
Trombone
I.		 16 0 6 7 51%
Trombone
II.		 16 0 5 7 50%
Trombone
III.		 Bass 19 0 7 7 49%
Clarini
in
C.		 Treble 8 9 2 7 34%
Trombe
in
C.		 Treble 3 2 0 5 24%
Timpani
in
C.G.		 Bass 2 0 0 5 21%